A Feature by Fiona Glass

Good afternoon, folks. I’m delighted to welcome fiction writer Fiona Glass to my blog. Fiona has kindly agreed to share a feature on her novel, Got Ghosts. 

Here it is. 

Where there’s a ghost there’s a… crime!

Book genres are becoming ever more firmly fixed these days: something is either horror, or romance, or sci-fi, or crime, and those genres are rarely allowed to mix. But real life’s a lot more blurry than that, and even in fiction, if you scratch the surface of almost any book you find other elements creeping in.

My own book, Got Ghosts?, is no exception. Of course, at heart it’s pure paranormal, with a haunted manor house, a medium who stirs up something she shouldn’t, and all sorts of fun but spooky goings-on. But underneath all that, there’s something more sinister. Because where you have ghosts, you must have had deaths, and only some of those are natural.
Most of the ghosts at Greystones Hall are harmless enough – a medieval knight, a young woman with a baby, even owner Emily’s recently deceased grandfather. But when a TV production company come to film the ghosts, it disturbs a new and malevolent spirit called Alfred, who takes a violent dislike to Emily and her artwork. He rampages through the house, scares the TV crew silly, and upsets the local vicar. And not even Gramps and the other ghosts can help.

At first Emily is as baffled and scared as everyone else. But with a little help from Gramps – and Guy, the deputy back-up medium – she sets out to solve the mystery. And even as the TV crew chase the ghosts – and vice versa – she manages to find out who Alfred is, why he’s so unhappy, and what happened to his own beloved paintings. 

Theft, jealousy, murder, revenge – all these could easily be elements of a proper crime novel. So does that make Got Ghosts? crime? Well, no, not really – it’s far too lighthearted for that, and there are far too many ghosts! But it does show that sometimes, the boundaries between genres aren’t quite so inflexible after all…

Fiona lives within stone-throwing distance (never a good idea in Glass houses…) of England’s largest lake. When she isn’t being a pane in the glass, she writes dark contemporary and paranormal fiction. 

This is mostly in the shape of short stories, but she’s also had two paranormal romance novels and two novellas published so far. Her latest book, Got Ghosts?, a ghostly romp involving a TV production crew in a haunted English manor house, has just been published by Fox Spirit Books. 

You can find Fiona lurking on the internet at her website (www.fiona-glass.com), Facebook (facebook.com/fiona.glass.33) or Twitter (twitter.com/F_Glass_Author). 

Please come and say hello!

Thanks so much for your time, Fiona. 


10 Questions With Matt Johnson

Good afternoon folks and I’m delighted to welcome Crime writer Matt Johnson to my blog. Here, he chats his career highlights from when he was a police officer, self publishing his debut novel Wicked Game and getting an agent for it, and his advice for aspiring crime writers looking to write police procedurals. 

1) As a child, did you have a favourite author and do you have a favourite author now?

I did, and it rather dates me to admit it was PG Wodehouse. I used to really enjoy his work. Nowadays, that’s a much harder question to answer as, over the years, I have developed an eclectic taste. I like some science fiction – Frank Herbert and Isaac Asimov – I enjoyed the James Herbert horror books like The Fog and The Rats, and I thought Birdsong by Seb Faulks was excellent. Possibly the most memorable book I’ve read was Paulo Coelho’s The Alchemist – a book that really made me take note and think.

2) Did you enjoy English at school?

Not particularly. I liked writing essays but, when it came to literature, I didn’t really care for the choices on the syllabus – Shakespeare and Thomas Hardy. Not my cup of tea, I’m afraid. I dropped English at 16, preferring the sciences at that age and planning a career in the Army.

3) How did you find your career with the Metropolitan Police? Any career highlights?

Too many to list! Twenty-odd years left me with many memories. I saw tragedy, heartache and helped to take some very bad people off the streets. I also delivered a baby, drove in car chases, attended a Royal wedding and ‘dad-danced- at the Notting Hill Carnival. A rich tapestry of experience doing what many cops refer to as the best job in the world.

4) What was your inspiration for Deadly Game and the sequel Wicked Game?

Personal experience of PTSD and of people trafficking. I wanted to use fiction to write about both to try and reach an audience who might not normally read about such things.

5) Did you encounter differences when writing the sequel to your debut?

Very much so. Wicked Game as a debut raised the bar for me. Not that I’m complaining, but having the book CWA listed and to have had it receive such an amazing reception meant that the pressure was on to ensure book two matched it. I became very self-critical during the writing process and was pretty nervous when it hit the shelves, even though I liked it myself.

6) How did you find self publishing Wicked Game by Amazon and then publishing a physical copy via your agent?

Self-publishing is a great way to reach out to people, especially when you consider how very hard it is to break into traditional publishing. Self-publishing means retaining control for everything from content to marketing. Traditional publishing means handing that control over. For me, traditional publishing was always the ambition. It opens doors, puts you in the hands of experts and helps you reach an audience you can never reach by yourself – Rachel Abbott excepted of course!

7) Do you have any advice for aspiring authors – particularly if they’re writing police procedural?

Do your research – thoroughly! You owe it to people who are going to pay for the privilege of reading your work to get it right.

8) How do you find you work best – music or silence? Do you have a particular band or artist you currently like?

Mostly I work in a quiet office with a view over the Brecon Beacons. It’s peaceful. But I do use a website that plays sound effects like waves on a shore, or rainfall, which I find helps me concentrate.

9) What genre of music did you grow up listening to and has your taste changed?

I was a Bowie child and Elton John went to the same school as me, so they were both idols of mine. That said I loved Pink Floyd, Status Quo, Led Zeppelin, ZZ Top and others so I guess that makes me something of a rock fan. As with books, I have eclectic taste, enjoying the classics and some opera. Rap, house and some modern music puzzles me, though. I just can’t find it enjoyable.

10) I find writing is therapy for me, somewhere I escape to and where I feel I can lose myself in the written word, how do you feel when writing?

Exactly the same. Once I’m away in my fantasy world the time passes very quickly. It’s tiring, relaxing and cathartic all at the same time. The wonderful thing is that others enjoy the result, something I will always be grateful for.

Thanks for your time, Matt. 

10 Questions With Louise Jensen

Good evening folks, I don’t know about you lot but I’m made up it’s nearly the weekend! Thank God!! 

This evening I’m delighted to welcome psychological thriller writer Louise Jensen to my blog. Here, she chats how she was discovered by the WoMentoring Project, the writing processes for her novels The Sister and The Gift and whether she shares my love of Rod Stewart. 

Over to you, Louise. 

1) As a child, did you have a favourite author and do you have a favourite author now? 

Enid Blyton was my favourite author and I’m currently reading the Famous Five series with my youngest son (I read them to his older brothers too) so I guess she still is!

2) Did you enjoy English at school? 

I loved English although I found some of the reading quite heavy going. I’ve re-read the classics as an adult and have a whole new admiration for them now.

3) How did you come up with the idea behind The Sister? 

 I visited a writing group and was given three words and was given three words and a ten-minute time limit to come up with something. That something was the bare bones of chapter one.

4) How did winning a mentor in WoMentoring feel? 

I was SO scared applying. I’d read the website about a million times and decided it was for ‘real writers’ not someone like me with no experience and no qualifications in writing. It took a good half a bottle of wine before I had the courage to apply. I was delighted when Louise Walters agreed to be my mentor. Letting someone read your words is huge and she was very kind.

5) How did meeting your agent feel? 

 A bit like a job interview! I was hugely nervous and took along my husband for support. Thankfully we both felt really at ease when we met him and we all got on really well. You put your career in your agent’s hands to a degree so there has to be mutual trust and respect.

6) When you were an aspiring author, what was the best piece of advice you were given? 

Write the book you want to read. (And incidentally I don’t particularly like the term ‘aspiring’ writer. If you write you ARE a writer. Be proud of it, published or not.

7) How’s best for you to work – music or silence? 

Music. I listen to piano music when I write a first draft so I’m not distracted and then when I edit I can listen to songs with lyrics. Music is a huge part of my life and I make sure my characters listen to songs to suit them. Every book has a playlist.

8) How was the writing process for The Sister different to the writing process for The Gift?

The Sister was very much a ‘Yay I get to spend time with Grace and Charlie again – how lovely’ process. The Gift was ‘OMG I’ve a book deal, a deadline and I have to write and I haven’t a clue what I’m doing’ period. I found it quite stressful and was very much finding my feet as a new writer while The Sister was hugely successful worldwide and there was pressure to deliver something that equalled, if not bettered it.

9) Did you grow up listening to a genre of music and how has it changed? 

I love music and go to gigs whenever I can. When I was younger I was a huge heavy metal/rock fan and although I still listen to rock my taste is a little mellower these days. The Counting Crows have been my favourite band for the past 25 years. Adam Duritz is such an emotive writer. His lyrics really move me.

10) Have you heard of Rod Stewart and if so, do you like any of his songs? 

I took my husband to see Rod Stewart for his birthday a couple of years ago at the O2. My mum was a huge fan and although I’d grown up with his music I didn’t think I’d remember many of his songs. I did and I felt quite emotional listening to them. Rod was amazing, we’ve seen younger artists do shorter sets and run out of stamina but he was full of energy, charming and utterly professional. I do hope to see him again one day.

Thanks for your time, Louise. 

10 Questions With Sarah A. Denzil

Good afternoon folks, and this afternoon I’m delighted to welcome crime writer Sarah A. Denzil to my blog. 

Here, Sarah chats about self publishing her book, her inspiration for her novel The Silent Child and her views on strong female characters in crime fiction. 

Over to you Sarah! 

1) As a child, did you have a favourite author and do you have a favourite author now? 

I read a variety of different authors as a child, like the Worst Witch books, Enid Blyton mysteries, and Point Horror stories. I pretty much read anything I could get my hands on, which was usually second hand books from car boot sales and library rentals. I’ve never singled out one author as a favourite over others, but I do read everything by Donna Tartt and Gillian Flynn.

2) When did you start writing? Did you enjoy English in school? 
I did enjoy English, and I used to write stories as a child. But I didn’t come back to writing until I was an adult. Teachers would often get excited about the stories I used to write which I found overwhelming as a child.

3) Where did the inspiration for The Silent Child come from? What was the first draft like? How it did it differ to the book on Amazon KDP?

I was trying to think up a new storyline for a thriller and thought about a young teenager emerging from the woods having been missing for many years. Once I had that idea, I thought up logical reasons for this boy to be missing for so long, and to me this was the one reason a normal boy would be gone without someone looking for him. It was quite nerve wracking to write such a dark story, but I always kept in mind some light at the end of the tunnel.
The first draft was very similar to the final product, it was just tidied up a bit. I don’t tend to make a lot of developmental changes to my books anymore.

4) As a self-published author, what are the pros and cons of self-publishing?

The pros of self-publishing are that you can keep a higher percentage of your royalties, you have complete control over the final product, and you don’t have to work to someone else’s schedule. 

In terms of cons – creating a polished product can be harder. There are plenty of freelance editors who don’t cost the earth but chances are they’ll work on the book once and then you have to go over their work and do a final check. An author shouldn’t rely on an editor to catch everything. Also professional covers can cost money and are useless if you don’t know how to market a cover to your genre. It’s very competitive and it can be difficult to get reviews.

Self-publishing is a lot easier if you write in a popular genre, so if your book is a literary genre mash-up it might be amazingly well-written, but chances are it will be much harder to sell.

5) Do you have an agent, if so, is it nerve wracking, knowing that you now have someone to impress but also someone who will champion you and your writing?

I do have an agent, but I hadn’t actually considered it my job to impress her! No, I’m much more focused on what the readers will make of the book. It’s really useful for me to have someone who will work on translation rights, audio etc. so I can concentrate on writing the next book.

6) When you were an aspiring author, what was the best piece of advice you were given?

One piece of advice that always stood out was: You can’t expect to earn a full-time living if you aren’t working full time hours. Although I think it’s often more complicated than that, those words really inspired me to work harder. I realised that I was hoping for the best rather than preparing for success.
In terms of craft, reading is pretty much the best advice. Read books and practise writing.

7) What are your views on strong women in crime fiction? How do you think they’re different to men in crime fiction?

Women characters tend to drive grip-lit and domestic noir novels that focus on aspects of a woman’s life, such as their role as a wife, mother, daughter or sister. I must admit I do enjoy these books because I can relate to them and it’s fascinating to read women focussed fiction in a genre that has been predominantly male focussed. But apart from that I don’t think there’s much difference. I’d like to see a few more male main characters in grip-lit. It’d be interesting to read that suspense from the perspective of a husband or father. 

Other male focused crime books tend to be police procedural books with a detective as the main character. I’ve never loved police procedural books so I tend to gravitate more towards a dark domestic noir.

8) How do you work best – music or silence? Did you have a favourite genre of music growing up and has it changed? 

Silence or classical music for me. I quite like atmospheric film scores. 

9) What was the last book you read? Did you enjoy it? 

It was The Birds by Daphne Du Maurier. I watched the film again recently so decided to finally get round to reading the book. I did enjoy it. It’s completely different to the film and possibly more frightening.

10) What was your first ever book about?

It’s a YA dystopian novel called The Blemished about conflict between genetically enhanced clones and normal people, labelled Blemished. It was the first book I published, back in 2012. 🙂

Thanks for your time, Sarah. 

10 Questions With B. A. Paris 

Good evening folks, I’m delighted to welcome psychological thriller author B. A. Paris to my blog. Here, she chats about growing up in France, her first draft of Behind Closed Doors and her favourite authors. 

1) As a child, did you have a favourite author and do you have a favourite author now? 

As a child I loved Enid Blyton and Agatha Christie. I don’t have a favorite author now, I have too many to choose just one! 

2) When did you start writing? Did you enjoy English in school? 

I started writing 8 years ago and yes, English was my favorite subject in school. 

3) Where did the inspiration from Behind Closed Doors come from? What was the first draft like? 

Some years ago, I had a friend whose husband seemed very controlling and I thought it would make a good story. I didn’t expect it to come out as dark as it did though! 

The first draft wasn’t that different from the final one. Nothing much changed in the story.

4) What was it like growing up in France? 

I grew up in England and only moved to France when I was 21. I loved it so much I stayed there over 30 years. 

5) Do you have an agent, if so, is it nerve wracking, knowing that you now have someone to impress but also someone who will champion you and your writing?

I have the best agent in the world and never feel under pressure from her. That said, I always hope to impress her!

6) When you were an aspiring author, what was the best piece of advice you were given? 

Nobody knew I was writing so I didn’t really get any advice, except from myself, which was to never give up!

7) How do you work best – music or silence? 

I prefer to work in silence but I can also work with a lot of noise going on around me. If I need inspiration I’ll put on a Muse album. 

8) What was the last book you read? 

The last book I read was « East Of Hounslow » by Khurrum Rahman. 

9) Did you enjoy it? 

I can definitely recommend it! 

10) What was your first ever book about?

My first ever book was a psychological drama about a dysfunctional family. 

Thanks for your time, B. A. Paris. 

10 Questions With Hollie Overton

Good evening folks, I’m made up to welcome American crime writer Hollie Overton to my blog. Here, Hollie chats about writing for TV as well as being a novelist, her favourite music and how her personal experiences helped her create her debut novel, Baby Doll. 

Over to you, Hollie. 

1) As a child, did you have a favourite author and do you have a favourite author now? 

I had TONS of favorite authors. When I was much younger, Shel Silverstein, Ann Martin who wrote the Baby Sitters Club and of course Sweet Valley High were my favorites. As I got older, it was Mary Higgins Clark, Stephen King, and Dean Koontz (I’ve always been drawn to darker characters!) Nowadays I read in lots of different genres. I love YA. Rainbow Rowell is an incredible writer and storyteller (Eleanor and Park is one of my favorite love stories ever!) I’ve also read the Hunger Games series at least three times. It’s perfect storytelling. I’m also huge Michael Connelly fan but I’m always discovering new writers. Gillian McAllister is a wonderful writer of domestic thrillers and I’m obsessed with John Marrs, who wrote a book I loved called The One. I’m just not able to pick one.

2) When did you start writing? Did you enjoy English at school?

I’ve always been a writer. I picked up a journal when I was seven or eight kick and filled up book after book for years with random musings about my life, short story ideas and dreams of the future. That love of writing was really nurtured in my English classes. I had incredible teachers who made writing and reading fun. I also worked on the school newspaper and won writing awards in high school, so writing was always a part of my life. It wasn’t something I ever considered doing as a career, but over the years, while I was studying acting, I started to realize I wanted a more active role in the creative process. I took my first TV writing class in 2007 and fell in love with it. 

3) How did being a TV Writer help with planning your debut novel, Baby Doll? 

As a TV writer, you learn so many skills that apply to writing a novel. The most helpful in my mind was how to pace a story and keep it exciting for a reader. In commercial fiction, especially thrillers, you want to keep the audience engaged and make sure they keep turning the pages. Having worked as a TV writer for the last seven years, some of that became intuitive, which in turn made writing my first book a bit easier (not easy, but easier!) TV is also all about creating great characters and that’s what I try and focus on when I’m writing. Who are these people? What makes them tick? It’s the same in TV and in books and I’m very grateful I had that training before I started writing fiction.

4) What inspired Baby Doll, and how did you create Lily and Rick?

The real life story of Ariel Castro and the girls he held captive in Cleveland, Ohio inspired the plot of Baby Doll. But it was my relationship with my twin sister, Heather that was the emotional core of the book. We’re best friends, and I kept imagining what my life would be like as a teenager if I didn’t have my sister, and how it would change the course of our lives. The story evolved from that. Rick Hanson, the villain of the book sprung from the idea that there are lots of monsters hiding in plain sight. He’s a teacher, a loving husband, but he was a sexual deviant and smart enough to know how to hide it. I’ve read a lot about serial sexual predators as well and that’s how Rick’s character was created.

5) When you were an aspiring author, what was the best piece of advice you were given? 

Don’t listen to people who say there isn’t a market for your work. A lot of people heard the premise for Baby Doll and were like, “Have you heard of Room?” I had of course heard of it, but I knew my book was different. I could have started second guessing myself, but I stayed the course. People will also say no one is reading certain types of books, or books about certain subjects. If it’s something you’re passionate about, write it and ignore the haters.

6) How many agents did you submit Baby Doll to before you found a publisher? 

I only submitted Baby Doll to one agent. I was repped for film and TV by WME and they obviously have a huge book department. My TV agent passed the Baby Doll manuscript along to an agent, Eve Atterman, and she really liked it. She did have some edits that required another draft. There wasn’t really a promise of representation, just like these are my thoughts. I thought they were incredibly smart and made the book so much better. It took me about five months to do them (I was getting married at the time and pitching a TV show). When I finally sent it back, she read it and was like, “this is great. We want to submit to to editors,” which is the greatest news a writer can hear. The submission process can be stressful. It’s radio silence while you’re waiting to hear, but if you’re lucky there are all these things are happening behind the scenes. We sold to Goldmann in Germany first and then the UK and then US. It was and still is the most exciting time of my writing life.  

7) What was your writing process for Baby Doll like? How many drafts did you do?

It’s hard to say how many drafts. I’d have hundreds of documents, rewriting constantly. The first half of the book I wrote very quickly. The second half I had to kind of figure out what the rest of the story was, but I wrote a loose outline and it helped keep me on track. Writing Baby Doll wasn’t my full time job. I was working on developing a TV show and going on meetings, so I usually worked on Baby Doll really late at night. But there was no real deadline, no urgency to finish which looking back, now that I have to write on deadline was a really great part of the process.

8) How was the writing process different for The Walls? Did you do much research for both books? 

The Walls process was much faster and furious. I had a little over a year to complete the manuscript and that was including working full-time on my TV show. I finished the first draft in about seven months. Then I did the rewrites over the next three months, while working on the show. I did a lot of research for both books. I talked to experts in the field, FBI consultants, prison consultants, read tons of stuff on death penalty and sexual assault. To me, the research is just as important as the writing because it informs so much of the story.

9) How do you work best – music or silence? Did you have a favourite genre of music growing up and has it changed?

It depends. I know this sounds odd but when I’m at home, I usually write with the TV on. It has to be something I’ve seen before, movie or TV. It’s basically background noise. If I have a really tight deadline, I listen to music. I’m not really a music person, so usually it’s just a singer/songwriter Pandora station that I like. But I never write in silence. I feel like the background noise helps drown out the inner critic that says, “You’re not good enough.”

10) What was the last book you read and did you enjoy it? 

The last book I read was Gillian McAllister’s Anything you do Say. She’s a British novelist and it was a really interesting story about a woman who commits a crime and the two outcomes—what happens if she leaves and doesn’t report it and what happens if she stays and does. A Sliding Doors type story with a crime setting.  

Thanks for your time, Hollie. 

10 Questions With Helen Callaghan 

Good morning folks, and Happy Saturday!! I’m delighted to welcome psychological thriller writer Helen Callaghan to my blog. Here, Helen chats about how she gained representation, her favourite authors and studying for her degree as a mature student. 

Over to you, Helen. 

1) As a child, did you have a favourite author? 

Oh yeah – I would glom on to someone, then read everything they’d ever done – then I’d re-read it. Books were expensive then. I loved CS Lewis, Tolkien, and Watership Down by Richard Adams. At home, us kids could watch most things – I saw Jaws, The Exorcist, Alien – all at quite a young age. But I remember being taken to the cinema to see Watership Down the movie and it was the only one that actually gave me nightmares. It was hardcore.

I still love to be scared…

2) Did you enjoy English at school? 

Yes. It was my best subject. I was the weirdo that actually enjoyed the set books for my GCSEs. Very early on I’d become a fanatical reader, and the more you read, the more you end up reading. 
3) Did you go to university and if so, did you enjoy your degree? 

I did indeed! I was a mature student, having spent the best part of ten years mucking around, so when I did go it was because I wanted to. I got my A-levels in night classes and they came out surprisingly well, so someone suggested I have a go at Cambridge and I ended up getting in. My family were thrilled, as I was the first person to go to university. 
I studied archaeology rather than English though. I thought to myself that archaeology would produce more things to write about. Which funnily enough, was true….

4) Are you self published, and if not, do you have any advice for aspiring authors? 

I’m not self-published – I went the trad publishing route, as when I was starting out, self-publishing was still finding its feet. I’d been writing on and off for years, but around 2009 I completed a dystopian thriller, which never sold but got me an agent – Judith Murray at Greene and Heaton. Dear Amy was the third book she ended up submitting for me, and there was an auction and it sold in ten days, which felt very peculiar after thirty years of trying!
Most people in such cases advise you to ‘be persistent’ and ‘finish what you start’ and that is all excellent advice, but folk have probably heard it before. I think *my* advice would be, join a writing group. Being in a writing group exposes you to listening to others’ opinions, and teaches you how to accept and deal with criticism. Dealing with criticism, and being able to seperate your book from yourself, is a skill that never goes out of style. And it’s always nice to meet simpatico people. Join a writing group.

5) How did your first review of Dear Amy feel? What did you do to celebrate? 

D’you know, I can’t remember? The thing no-one tells you is, you don’t really remember the good reviews. The bad ones, those you remember. But I do recall my parents had been flipping through lovereading.co.uk (which I had not seen yet) which collated a ton of reader reviews and they were ecstatic, which made me ecstatic. I think we were in Rome, and we celebrated with wine and pasta. But to be honest, I think we would have done that anyway. What else do you do in Rome?
6) Do you have a favourite all time book?

Hmm… I don’t have a single favourite. Some things do different things at different times, but I do have things I love for different reasons. I loved The Secret History by Donna Tartt, which had a real influence on Dear Amy with its Classical leanings. I love Iain Banks, Angela Carter, and Charlotte Bronte – I have a real Gothic addiction. 
But I like other things too – recently I really enjoyed The Girls by Emma Klein and I Am Pilgrim by Terry Hayes which is this over-the-top US spy thriller but which was just fantastic, so clever and absolutely raced along…

7) How do you like to work – music or silence?

Ooh, depends. At home it tends to be silence, but every book has a playlist I create for it, with the tunes that put me in mind of what the book is about. The new book, Everything Is Lies, which is coming out in February, was about revelation and disillusionment, so it had things like Big Picture by London Grammar and lots of Florence and the Machine. There were Eighties tracks too, as part of it is set then, so The Smiths and The Cure were happening. 
The one I’m working on at the moment, which doesn’t have a name yet, is about sexual jealousy and betrayal. It’s also about being isolated, both psychically and geographically, and it’s set in Orkney. So it was Mr Brightside by The Killers, Burn For You by Sting, Kings of Leon, PJ Harvey; all much more slow-burning and ballady if you like. 

As a rule, if I am working in public, in a coffee shop say, I’ll have the playlist for that particular book happening on headphones. Elsewise you’re going to be listening to Starbucks’ piped music, which I can never get on with. 

8) Are you a Rod Stewart fan?

No, I missed the Rod Stewart boat, I think. Growing up, I remember my cousin was mad for him, and she was a little older than me. Though my eldest cousin got me into David Bowie. I mean, what’s not to love about David Bowie?
Thanks for your time, Helen.